Symbolism and Naturalism in Edward Albee's The Tiergarten Story Author(s): Rose A. Zimbardo Analyzed work(s): Supply: Twentieth 100 years Literature, Vol. 8, No . 1 (Apr., 1962), pp. 10-17 Printed by: Hofstra University Stable URL: http://www.jstor.org/stable/440743. Accessed: 03/02/2013 22: 44 Your use of the JSTOR archive signifies your popularity of the Conditions & Conditions of Use, offered by. http://www.jstor.org/page/info/about/policies/terms.jsp

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MEANING AND NATURALISM IN EDWARD CULLEN ALBEE'S THE ZOO TALE

ROSE A. ZIMBARDO

The acclaim, both equally popular great theme. Somewhat startlingis important, which has approached Albee's the realizationthatAlbee's will be traThe Tierpark Storyleads that you specu- ditional Christian symbolswhich, late upon the directionAmerican despite their very own modern dress, retain theatre is likely to consume the theiroriginalsignificance-or, more long term. Concern with idea, rather specifically, expresstheiroriginal sigthan characteror story, is not really new nificancein modernterms. The rein the Americantheatre, nor is the lationshipbetweentraditionalsymuse of meaning the understanding bol and naturalisticdialogue, situfor of idea. There is, however , about regulations and placing however , by no means is, Americanplays whichemploysynm-forced, mainly because it so often is within, say, a bolism-from O'Neill to Williams Williams perform. Rather symbolism -a solid suggestionof the gim- is definitely part of the very fabric in the mick. Since American play- play operating within, and have been self-conscious in enlarging, its surfacemeaning. wrights Around the simplestlevel The Zoo using symbols, their very own symbolism is almost always embarrassing- Story is involved with man ly obvious. It phone calls attentionto it- isolation. The earth is a tierpark " with selfand existsas a kind of scaffold- everyone separated by bars from e which the market feels the everyoneelse, the animals intended for the ought to eitherhave created most portion from each other, and playwright over or removed. For instance , always the individuals from the aniO'Neill's symbolistic theatre, which mals" (49); that is, men aren't has, naturally , shaped most later just separated via each other, American drama, directsattention but from other own basic animal towardthesymbolas symbolrather naturel (as Peter, one of " the than upon an entire dramaticstruc- people" is, until the end of the ture within just which symbolismop- play, segregated fromhis personal anierates. The audience must discover mal nature). the symbolsand their equivalents The enjoy opens after Peter, who have to work out the play's that means. is sitting on a bench in the area. As Sign and that means are, there- Albee lets us know in his descriptionof fore, external to the play's design. the dramatis personae, Peter can be Mourning Becomes Electra pro- " nor fat nor gaunt, not vides an excellentexample. good looking nor homely. " He could be, in What markings The Tierpark Storyas a fact, in no way exclusive. Peter can be new developmentof our theatre is the modernversion, middle-class in thewayin whichAlbee blends sym- stereotype, Everyman. He states of bolism with naturalism to realize the " right" books, endures the 10

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is aspect of the playground, has the personal physicality, furiousand " right" that should of and scared a stranger averagenumber children, the " right" MadisonAvenuejob. tryto exposeit. ad in His is the Fresh Yorker life to Peter,...